Marks and symbols form an idiosyncratic vocabulary that is unique to me. My language expands and evolves as I become a better artist.

Representing time in abstract visual language is a problem I confront again and again in my abstract landscape work. How can the concept of time be captured in abstract painting?

Adopting a mindset of openness, exploration, and embracing uncertainty is the best antidote to feeling stuck. I remind myself to let go of trying to reach a planned destination for the moment and see what can happen when I try something different instead. I know that once I’m back into a more playful, experimental attitude, good things – surprising things – are going to start to happen.

Look closely and you’ll find footpaths carving through many of my paintings.  The abstract landscapes I paint are largely imagined; but the remembered hikes and walks I’ve taken all over the planet are also present.